Fred wants to “re-envision” music through the classical guitar and return it to its divine source, which is God. By making classical guitarists aware of the sacred potential of their instrument, he wants to forge new roads for the classical guitar toward the spiritual.
The classical guitar has been virtually absent in Roman Catholic Church music. This needs to change, especially since the classical guitar has a connection to the Bible with Jubal and King David. String instruments were played by both these Old Testament figures.
Also, Pope Francis encourages varied and untried ways of evangelizing God’s people. He calls music, “An instrument of evangelization to the extent that you bear witness to the depth of the Word of God, which touches people’s hearts, and to the extent that you assist in the celebration of the Sacraments, in particular the Holy Eucharist, allowing us to perceive the beauty of Paradise.”
Fred believes that the classical guitar can touch people’s minds, hearts, and souls to bring them closer to God, Mary, and the saints and truly let them see, feel, touch, and smell Paradise.
Fred wants to use this stringed biblical instrument, to attract youth, devoted lay people, priests, the religious sisters and brothers, and those entering the priesthood and religious life.
The classical guitar can attract students into sacred liturgical music programs in colleges, universities and conservatories. As of now, these programs are amazingly non-existent.
Fred wants to follow the credo of J. S. Bach who said, “The aim and final end of all music should be none other than the glory of God and the refreshment of the soul.”
Fred wishes to take this credo and channel it through the noble and humble classical guitar.